{"title":"Shop All","description":"","products":[{"product_id":"blue-oribe-recipes-techniques","title":"Blue Oribe | Recipes \u0026 Techniques","description":"\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cstrong\u003eBy John Britt, assisted by Melanie Risch\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis 23-page PDF is a record of my explorations in Blue Oribe. I will give recipes, techniques and firing cycles that I found particularly successful. But in order to comprehend this very rich and varied tradition I will briefly discuss what I know about Oribe as a way to orient you to this type of glazing tradition.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"John Britt Pottery","offers":[{"title":"Default Title","offer_id":52249860997419,"sku":null,"price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0985\/5418\/3979\/files\/COVER-BlueOribe5.jpg?v=1771516385"},{"product_id":"all-that-glitters-is-not-goldstone","title":"All That Glitters is not Goldstone","description":"\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cstrong\u003eAventurine Glazes:\u003cbr\u003eTiger’s Eye, Goldstone, and Various Glitter Glazes \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eby John Brit\u003c\/strong\u003et \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThis is an 11-page article describing how to make Aventurine glazes with recipes and firing cycles for both cone 6 and cone 10 some added reference material for low fire recipes. These are electric oxidation glazes with controlled cooling cycles similar to crystalline firings. It is a description of my research on the topic and the results I have gotten so far. It should be enough to get you on your way to making this fantastic glaze!\u003c\/span\u003e\u003c\/p\u003e","brand":"John Britt Pottery","offers":[{"title":"Default Title","offer_id":52250014941483,"sku":null,"price":5.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0985\/5418\/3979\/files\/Aventurine_cover.jpg?v=1771526067"},{"product_id":"cobalt-crystalline","title":"Secrets of Cobalt Crystalline Glazes","description":"\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cstrong\u003eCone 10 - 13 Electric \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eby John Britt, Assisted by Sarah Matesz\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eThis 43-page PDF is a detailed exploration of cobalt crystalline glazes fired in electric to cone 10-13, including experimentation with various materials, firing cycles, and the effects on glaze outcomes.\u003c\/p\u003e\n\u003cp\u003eI spent about 2 years investigating these unusual glazes and have focused on firing cycles. I have about 50 cycles listed and then show 4 base recipes which I have then done about 300 variations on and chosen the best ones to show you. There were far too many to include them all, but I have included the very best in this PDF.\u003c\/p\u003e\n\u003cp\u003eThis is a rare piece of ceramic glaze literature because most people keep these secrets to themselves but I wanted to share what I learned so others could take it as a starting point in their research. (Plus I am getting old and forgetful and wanted to write it all down.)\u003c\/p\u003e\n\u003cp\u003eIt took over over 2 years to investigate and then another 3 months to photograph, assemble and write it up. Aside from the time element, this PDF is well worth the price tag for several other reasons. First, because the cost of cobalt carbonate is very high and these glazes us about 25% per recipe. So 2 test runs cost over $35. And that is not including all the other materials you need. Finally, as you know, trying to learn this all yourself would take months of making tiles, throwing, trimming and bisque firing hundreds of pieces, making glaze recipes and variations. Basically for the cost of three electric glaze firings and you can have it all. A gem of ceramics literature.\u003c\/p\u003e","brand":"John Britt Pottery","offers":[{"title":"Default Title","offer_id":52250035781931,"sku":null,"price":35.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0985\/5418\/3979\/files\/CobaltCrystalline_cover.jpg?v=1771526352"},{"product_id":"experiments-in-mid-range-crystalline-glazes","title":"Experiments in Mid-Range Crystalline Glazes | Recipes \u0026 Techniques","description":"\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cstrong\u003eby John Britt \u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eThis is a 54 page PDF containing many proven recipes and images of fired test tiles in multiple cycles. It will save you countless hours of mixing and testing and get you started immediately making your own beautiful macrocrystalline, microcrystalline and iron crystalline pieces at a cost of less than one test firing.\u003c\/p\u003e\n\u003cp\u003eIt was generated during a workshop I gave in Dallas, Texas in April 2017.\u003c\/p\u003e\n\u003cp\u003eJen Rose, a professor at Richland College in Dallas, our workshop participants and myself were attempting to test and learn as much as possible about mid-range crystalline glazes from books, articles and word-of-mouth information and then combine that with our actual experience. This meant that we had to consider our materials, kilns, cones and actual firing and cooling rates vs. the rates prescribed in the books. We had to be adaptable to what we found and determine what occurred, both good and bad, and then design the next step. Plus, we had the group testing before and during the workshop so we had to consider the scale variations, personal variations in knowledge and techniques, variations in clay bodies, mixing, sieving, etc. It was a pretty complex equation which we only solved on the last day of class.\u003c\/p\u003e\n\u003cp\u003eI consider it a kind of analogy for all potters who want to explore a glaze type rather than just trying recipes. We did research up front from books, on-line assets like Glazy.org, Google, Crystalline forums, Facebook Groups, friends, etc., and then used a systematic group of firing cycles to explore the crystal growing ranges on 5 different clay bodies to see which worked best. This paper is a write up of our experiment and conclusions which are a stepping stone for further tests or larger pieces we will make.\u003ci\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/i\u003eThe cover of this PDF shows a test tile created by Conor Muldoon\u003c\/p\u003e","brand":"John Britt Pottery","offers":[{"title":"Default Title","offer_id":52250235502891,"sku":null,"price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0985\/5418\/3979\/files\/ExperimentsinMid-RangeCrystallineCOVER.jpg?v=1771529642"},{"product_id":"cone-6-no-craze","title":"I Need a Cone 6 Glaze that Won’t Craze","description":"\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cstrong\u003eby John Britt \u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eIf you are concerned with crazing and are having trouble finding suitable glaze recipes then this article is for you! It is a \u003cstrong\u003e25 page PDF\u003c\/strong\u003e describing a three year project to find some glazes that did not craze on most clay bodies. There are 8 successful clear transparent glazes that didn’t craze even after 3 years on a variety of clay bodies. I also listed 23 total recipes tested with images.\u003c\/p\u003e\n\u003cp\u003eThis article describes the factors involved in crazing, from the clay body, glaze thickness, firing cone, etc. I tried to provide parameters for Al\/Si ratio as well as CTE (coefficient of thermal expansion) estimates so that you can expand it to recipes you create or find on-line.\u003c\/p\u003e\n\u003cp\u003eThey were all tested in cone 6 electric firings.\u003c\/p\u003e","brand":"John Britt Pottery","offers":[{"title":"Default Title","offer_id":52250271416619,"sku":null,"price":5.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0985\/5418\/3979\/files\/crazingpreveiw1.jpg?v=1771530437"},{"product_id":"manganese-gold-pt1","title":"Experiments in Manganese Gold and Iridescent Glazes | Cone 6 - 12 Electric Oxidation","description":"\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cstrong\u003eby John Britt \u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eThis is a 58 page PDF outlining my experiments with Manganese Gold and Iridescent Glazes (\u003ci\u003eManganese, Iron, Cobalt, Bismuth and Molybdenum oxides)\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003eI include many recipes, combinations and firing cycles as well as sample pieces which show the range of possibilities for these amazing glazes. They are all electric oxidation glazes ranging from cone 6 to cone 12. I list multiple firing cycles and refiring cycles.\u003c\/p\u003e\n\u003cp\u003eThis is a rare piece of ceramic glaze literature because most people keep these secrets to themselves but I wanted to share what I learned so others could take it as a starting point in their research. (Plus I am getting old and forgetful and wanted to write it all down.)\u003c\/p\u003e\n\u003cp\u003eThis is well worth the price tag because as you know, trying to learn this all yourself would take years of making tiles, throwing, trimming and bisque firing thousands of pieces, making glaze recipes and variations. Basically the cost of two glaze glaze firing and you can have it all. This is part one and I will be publishing the second part later in the year. A gem of ceramics literature.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA couple of caveats:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e1.\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eManganese is a dangerous fume hazard so these glazes must be treated with care.\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eI have kilns that are outside, so I don’t get fumes in my studio. Also follow guidelines in SDS sheets. Wear gloves when handling and glazing and keep the studio clean of splashes of glaze everywhere. Also,\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003ethe glazes are for non-functional surfaces\u003c\/strong\u003e.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e2. Some ingredients are very expensive like the Molybdenum sulfide, Bismuth frit FZ-915, Lithium carbonate and Cobalt oxide which all cost be between $25-$42 dollars a pound. I have some glazes in here that don’t require them, but some do.\u003c\/em\u003e\u003c\/p\u003e","brand":"John Britt Pottery","offers":[{"title":"Default Title","offer_id":52250357924139,"sku":null,"price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0985\/5418\/3979\/files\/COVERExperimentsinMangnaeseGlazesPart1.jpg?v=1771531839"},{"product_id":"experiments-in-manganese-gold-and-iridescent-glazes-part-ii","title":"Experiments in Manganese Gold and Iridescent Glazes Part II | Cone 5-6 Electric","description":"\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003eThis is a 78 page PDF outlining my experiments with Manganese Gold and Iridescent Glazes: Part II (Cones 5-7) Electric\u003c\/p\u003e\n\u003cp\u003eI include many recipes, combinations and firing cycles as well as sample pieces which show the range of possibilities for these amazing glazes. They are all electric oxidation glazes ranging from cone 5 to cone 7. I list multiple firing cycles and re-firing cycles.\u003c\/p\u003e\n\u003cp\u003eThis is a rare piece of ceramic glaze literature because most people keep these secrets to themselves but I wanted to share what I learned so others could take it as a starting point in their research. (Plus I am getting old and forgetful and wanted to write it all down.)\u003c\/p\u003e\n\u003cp\u003eThis is well worth the price tag because as you know, trying to learn this all yourself would take years of making tiles, throwing, trimming and bisque firing thousands of pieces, making glaze recipes and variations. Basically the cost of two glaze glaze firing and you can have it all. This is part 2 and is a stand alone document for those who fire or want to fire to cone 5\/6 electric. A gem of ceramics literature.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA couple of caveats:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e1.\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eManganese is a dangerous fume hazard so these glazes must be treated with care.\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eI have kilns that are outside, so I don’t get fumes in my studio. Also follow guidelines in SDS sheets. Wear gloves when handling and glazing and keep the studio clean of splashes of glaze everywhere. Also,\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003ethe glazes are for non-functional surfaces\u003c\/strong\u003e. All the glazes contain manganese oxide or carbonate as well as other toxic materials, like barium carbonate, cobalt oxide, copper oxide, molybdenum sulfide, lithium oxide, etc. And even after being fired they are\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eNOT FOOD-SAFE!\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e2. Some ingredients are very expensive like the Molybdenum sulfide, Bismuth frit FZ-915, Lithium carbonate and Cobalt oxide which all cost be between $25-$42 dollars a pound. I have some glazes in here that don’t require them, but many do.\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"John Britt Pottery","offers":[{"title":"Default Title","offer_id":52250378764587,"sku":null,"price":34.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0985\/5418\/3979\/files\/CoverPART2-ExperimentsinManganeseGlazesPART2.jpg?v=1771532367"},{"product_id":"is-it-food-safe-thoughts-on-ceramic-safety","title":"Is it Food-Safe? | Thoughts on Ceramic Safety","description":"\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cstrong\u003eBy John Britt\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThis is a short PDF expressing my thoughts on the ubiquitous question in ceramics “Is it Food Safe?” I also give my thoughts on studio safety.\u003cbr\u003e\u003cbr\u003e23 pages, research and sources sited. \u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cem\u003eWhen I give glaze workshops around the country, I get a lot of questions about glaze safety from participants. Most of these revolve around the question, “Is this glaze food-safe?” As you can imagine they are hoping for a yes or no answer but, unfortunately, this seemingly simple question often leads us into a complex discussion about leaching, crazing, firing safety, toxic and vol- atile ingredients, etc. After an hour of this discussion, the potters themselves are glazed over and have forgotten the question. So I decided to write this article to lay out some of the many factors that need to be considered when answering the question “Is this glaze food-safe.” I will also attempt to put some context around our cultural expectations and inject some common sense into the discussion of glaze safety. \u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"John Britt Pottery","offers":[{"title":"Default Title","offer_id":52250416546091,"sku":null,"price":2.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0985\/5418\/3979\/files\/COVER-RevisedNotesonSafety2016_f28aa917-d396-460c-9be0-8d572b4819d0.jpg?v=1771533782"},{"product_id":"experiments-in-gohonde-spotting","title":"Experiments in Gohonde Spotting","description":"\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cstrong\u003eBy John Britt, Assisted by Melanie Risch\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis is a 37-page PDF outlining my experiments with Gohonde Spotting in a gas kiln with easily accessible kaolins and clay bodies.\u003c\/p\u003e\n\u003cp\u003eI include many slip and cover glaze recipes, mixing and application details and firing cycles and refiring cycles. There are many samples pieces as well as some test tile examples which show the range of possibilities for this amazing technique. They are gas reduction\/oxidation glazes at cone 10 and a I only cover a very small bit on cone 6 Gohonde but I think that these can be very easily adapted to cone 6 reduction\/oxidation. I list multiple firing cycles.\u003c\/p\u003e\n\u003cp\u003eThis is a rare piece of ceramic glaze literature because most people keep these secrets to themselves but I wanted to share what I learned so others could take it as a starting point in their research. (Plus I am getting old and forgetful and wanted to write it all down.)\u003c\/p\u003e\n\u003cp\u003eThis is well worth the price tag because as you know, trying to learn this all yourself would take months of making tiles, throwing, trimming and bisque firing thousands of pieces, making glaze recipes and variations. Basically the cost of two glaze glaze firing and you can have it all. A gem of ceramics literature.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"John Britt Pottery","offers":[{"title":"Default Title","offer_id":52250460717355,"sku":null,"price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0985\/5418\/3979\/files\/COVER-ExperimentsinGohondeSpotting1.1.jpg?v=1771534296"},{"product_id":"the-complete-guide-to-high-fire-glazes-glazing-firing-at-cone-10","title":"The Complete Guide to High-Fire Glazes | Glazing \u0026 Firing at Cone 10","description":"\u003cp\u003e\u003cstrong\u003eSigned Copy available here only!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWith hundreds of recipes for some of the most popular and enduring high-fire glazes, this reference will prove a boon to ceramists who want to master this complex and versatile aspect of the art. Author John Britt, who served as Clay Coordinator at the respected Penland School of Crafts, has personally tested many of the recipes, and carefully reviews every one. He offers a thorough examination of glaze materials, chemistry, and tools, and presents the basics of mixing, application, and firing procedures. There’s a wealth of information on various type of glazes, including copper, iron, shino, salt\/soda, crystalline, and more. An exhaustive index of subjects and a separate index of glaze recipes will help ceramists find what they need, quickly and easily.\u003c\/p\u003e\n\u003cp\u003eSHIPPING books to Canada or overseas is very expensive but I can do it, I just have to check current rates as they are always changing. It is probably better to order on Amazon Canada as shipping there is often over the cost of the book!\u003c\/p\u003e","brand":"John Britt Pottery","offers":[{"title":"Default Title","offer_id":52261645975851,"sku":null,"price":24.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0985\/5418\/3979\/files\/ScreenShot2026-02-24at2.13.41PM.png?v=1771960573"},{"product_id":"the-complete-guide-to-mid-range-glazes-glazing-and-firing-at-cones-4-7","title":"The Complete Guide to Mid-Range Glazes | Glazing and Firing at Cones 4-7","description":"\u003cp\u003e\u003cspan\u003e*\u003cstrong\u003eSIGNED COPIES\u003c\/strong\u003e with FREE shipping in continental U.S. by Media Mail (2-9 days)*\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAccording to\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eCeramics Monthly\u003c\/i\u003e, approximately 75% of potters glaze their pieces at mid-range temperatures—and this complete studio guide eliminates the guesswork from the popular process. Along with\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eover 400 hundred recipes\u003c\/strong\u003e, it explores mixing, application, specific firing and cooling cycles, and all the factors that make glazes work. See how to boost colors with intense stains, washes, and underglazes; achieve stunning results that equal high-fire glazing, and expand the frontiers of mid-range with tips for wood, salt, and soda firing.\u003c\/p\u003e\n\u003cp\u003eSHIPPING books to Canada or overseas is very expensive but I can do it, I just have to check current rates as they are always changing. It is probably better to order on Amazon Canada as shipping there is often over the cost of the book!\u003c\/p\u003e","brand":"John Britt Pottery","offers":[{"title":"Default Title","offer_id":52261654036779,"sku":null,"price":37.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0985\/5418\/3979\/files\/Screen_Shot_2026-02-24_at_2.12.02_PM.png?v=1771960341"},{"product_id":"secrets-of-oil-spot-glazes","title":"Secrets of Oil Spot Glazes | Cone 5 - 13","description":"\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cstrong\u003eBy John Britt, Assisted by Sarah Matesz\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis is a 77 page PDF outlining my 25 years of experiments with Oil Spot Glazes.\u003c\/p\u003e\n\u003cp\u003eI include over 70 proven recipes of both Oil Spot Glazes as well as Cover Glazes which are used in combination with the Oil Spot recipes. I also include many firing cycles that I have used over the years as well as the most tried and true. I have detailed mixing, application and firing instructions to make sure your efforts are successful. Then I show sample pieces revealing the range of possibilities for these amazing glazes. I include both electric and gas cone 10-13 kiln cycles in both oxidation and reduction as well as cone 6 electric cycles and some cone 5\/6 spotted glazes and cycles as a bonus. And finally I list multiple refiring cycles.\u003c\/p\u003e\n\u003cp\u003eThis is a rare piece of ceramic glaze literature because most people keep these secrets to themselves but I wanted to share what I learned so others could take it as a starting point in their research. (Plus I am getting old and forgetful and wanted to write it all down.)\u003c\/p\u003e\n\u003cp\u003eIt took over 5 months to write up and over 25 years to perfect. This is well worth the price tag because as you know, trying to learn this all yourself would take years of making tiles, throwing, trimming and bisque firing thousands of pieces, making glaze recipes and variations. Basically the cost of two gas firing and you can have it all. A gem of ceramics literature.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"John Britt Pottery","offers":[{"title":"Default Title","offer_id":52261719900459,"sku":null,"price":49.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0985\/5418\/3979\/files\/SecretsofOilSpotGlazesFinal2024_cover.jpg?v=1771964580"},{"product_id":"over-the-counter-glazes","title":"Over the Counter Glazes","description":"\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cstrong\u003eBy John Britt\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThis is an article published in Ceramics Monthly in 2002 on a series of experiments I did trying to make glazes from only materials bought in a Walmart near where I lived. I wanted to call it “Local Materials” but they liked “Over the Counter.” I had worked with local materials and made glazes with shale, wood ash and other rocks and minerals but thought it would be fun to try to make glazes with the same materials only processed into our daily products. It includes glazes with Alka-seltzer, toothpaste, milk of magnesia, talcum powder, etc. Fun experiment and actually nice glazes.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"John Britt Pottery","offers":[{"title":"Default Title","offer_id":52261734482219,"sku":null,"price":3.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0985\/5418\/3979\/files\/Image4.jpg?v=1771965022"},{"product_id":"rust-experiments-into-faux-ceramic-rust-sufaces","title":"Rust | Experiments Into Faux Ceramic Rust Sufaces","description":"\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cstrong\u003eBy John Britt\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn this 12 page PDF, I explore techniques for creating non-functional ceramic surfaces that mimic the look of rusted metal. Contains recipes and techniques for layering. Fired at cone 5\/6 electric.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"John Britt Pottery","offers":[{"title":"Default Title","offer_id":52261762761003,"sku":null,"price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0985\/5418\/3979\/files\/Rustcover.jpg?v=1771965836"},{"product_id":"should-i-slip-and-score","title":"Should I Slip and Score?","description":"\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cstrong\u003eBy John Britt\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThis is a 10 page downloadable PDF of some experiments I ran on connecting handles and knobs and some surprising and practical conclusions.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eOne of the most common instructions in an introductory ceramics class is: “If you are connecting things you must slip and score.” This is a valid recommendation if you want pieces to stick together without cracking off and an excellent and time-tested practice in pottery.\u003c\/p\u003e\n\u003cp\u003eBut there are also real world practices that go directly against this proposition, like in industry where they just use slip to connect a piece without scoring, or production potters who just put handles on cups without slip or scoring. These methods seem like a much easier way to attach things but they goes against one of the primary rules of ceramics- to slip and score. How can all three of these methods work when they contradict each other? There must be a reason or set of parameters that makes each method work, so I set out to investigate.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"John Britt Pottery","offers":[{"title":"Default Title","offer_id":52261796774187,"sku":null,"price":5.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0985\/5418\/3979\/files\/Slip-and-Score-tests-030-scaled.jpg?v=1771967520"},{"product_id":"john-s-spotted-glaze-technique-cone-5-electric","title":"John’s Spotted Glaze Technique | Cone 5 Electric","description":"\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cstrong\u003eBy John Britt\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis is an 11 page workshop handout, which I have had a high number of requests for so I am posting it for a modest price. It is from a workshop I did in Tucson and Jon Anderson helped me write it up neatly. It describes a combination of various glazes with stains that gas off and produce spots at cone 5. One glaze is an Oil Spot (contains iron oxide) but others are mason and inclusion stains. If you fire it much higher it can cause spots to melt into the glaze.\u003c\/p\u003e\n\u003cp\u003eI have 7 recipes and a special firing cycle call Slow and Low and all are include in the handout. There are also a bunch of possible variations with other stains you can try. Enjoy!\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"John Britt Pottery","offers":[{"title":"Default Title","offer_id":52261822202155,"sku":null,"price":5.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0985\/5418\/3979\/files\/Spotted_cover.jpg?v=1771968253"},{"product_id":"kurinuki","title":"Beyond the Basics II: Kurinuki","description":"\u003cp class=\"cvGsUA direction-ltr align-start para-style-body\"\u003e\u003cspan class=\"a_GcMg font-feature-liga-off font-feature-clig-off font-feature-calt-off text-decoration-none text-strikethrough-none\"\u003eThis is the third video in a series I am developing to help potters learn at their own pace and develop their own style. This video pairs well with the other videos in the series: fThe Fundamentals of Wheel-Throwing, and Beyond the Basics: Tumblers, Cups and Yunomis\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"cvGsUA direction-ltr align-start para-style-body\"\u003e\u003cspan class=\"a_GcMg font-feature-liga-off font-feature-clig-off font-feature-calt-off text-decoration-none text-strikethrough-none\"\u003eBeyond the Basics II: Kurinuki\u003c\/span\u003e\u003cspan class=\"a_GcMg font-feature-liga-off font-feature-clig-off font-feature-calt-off text-decoration-none text-strikethrough-none\"\u003e \u003c\/span\u003e\u003cspan class=\"a_GcMg font-feature-liga-off font-feature-clig-off font-feature-calt-off text-decoration-none text-strikethrough-none\"\u003eteaches the “hollowing out” method. Rather than forming shapes on the wheel, this video shows how to hand build, facet or sculpt shapes you want in the solid form, and after drying a bit, they are then hollowed out. It is a very direct way to work that is simple and very enjoyable. Anyone can immediately start making things but, as always, to master this form will takes years. The important thing is to have fun and explore new forms!\u003c\/span\u003e\u003cspan class=\"a_GcMg font-feature-liga-off font-feature-clig-off font-feature-calt-off text-decoration-none text-strikethrough-none white-space-prewrap\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"cvGsUA direction-ltr align-start para-style-body\"\u003e\u003cspan class=\"a_GcMg font-feature-liga-off font-feature-clig-off font-feature-calt-off text-decoration-none text-strikethrough-none\"\u003eRunning time: 1 hour, 6 minutes\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"cvGsUA direction-ltr align-start para-style-body\"\u003e\u003cspan class=\"a_GcMg font-feature-liga-off font-feature-clig-off font-feature-calt-off text-decoration-none text-strikethrough-none\"\u003eUpon purchase, you will receive a PDF in your inbox containing a link to download the video via dropbox. \u003c\/span\u003e\u003c\/p\u003e","brand":"John Britt Pottery","offers":[{"title":"Default Title","offer_id":52342389309739,"sku":"020","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0985\/5418\/3979\/files\/Screen_Shot_2026-03-10_at_3.07.22_PM.png?v=1773169894"},{"product_id":"beyond-the-basics-i-cups","title":"Beyond the Basics I: Tumblers, Cups \u0026 Yunomis","description":"\u003cp class=\"cvGsUA direction-ltr align-start para-style-body\"\u003e\u003cspan class=\"a_GcMg font-feature-liga-off font-feature-clig-off font-feature-calt-off text-decoration-none text-strikethrough-none\"\u003eThis is the second video in a series I am developing to help potters learn at their own pace and develop their own style. The first video, The Fundamentals of Wheel-Throwing, and the third video, Beyond the Basics II: Kurinuki both pair well with this video. \u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"a_GcMg font-feature-liga-off font-feature-clig-off font-feature-calt-off text-decoration-none text-strikethrough-none\"\u003e\u003c\/span\u003e\u003cspan class=\"a_GcMg font-feature-liga-off font-feature-clig-off font-feature-calt-off text-decoration-none text-strikethrough-none\"\u003eBeyond the Basics teaches multiple ways to form the lip, body and foot of a tumbler, cup, and yunomi (tea bowl). Through a series of exercises, you will learn how to create a unified form reflecting your own aesthetic. I’ll also show and discuss examples from my personal cup collection so you’ll be able to see how other artists integrate these to create a unified whole.\u003c\/span\u003e\u003cspan class=\"a_GcMg font-feature-liga-off font-feature-clig-off font-feature-calt-off text-decoration-none text-strikethrough-none white-space-prewrap\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"cvGsUA direction-ltr align-start para-style-body\"\u003e\u003cspan class=\"a_GcMg font-feature-liga-off font-feature-clig-off font-feature-calt-off text-decoration-none text-strikethrough-none\"\u003eHave fun. Push the boundaries and watch your skills grow.\u003c\/span\u003e\u003cspan class=\"a_GcMg font-feature-liga-off font-feature-clig-off font-feature-calt-off text-decoration-none text-strikethrough-none white-space-prewrap\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"cvGsUA direction-ltr align-start para-style-body\"\u003e\u003cspan class=\"a_GcMg font-feature-liga-off font-feature-clig-off font-feature-calt-off text-decoration-none text-strikethrough-none\"\u003eRunning time:\u003c\/span\u003e\u003cspan class=\"a_GcMg font-feature-liga-off font-feature-clig-off font-feature-calt-off text-decoration-none text-strikethrough-none white-space-prewrap\"\u003e \u003c\/span\u003e\u003cspan class=\"a_GcMg font-feature-liga-off font-feature-clig-off font-feature-calt-off text-decoration-none text-strikethrough-none\"\u003e2 hours and 14 minute\u003c\/span\u003e\u003cspan class=\"a_GcMg font-feature-liga-off font-feature-clig-off font-feature-calt-off text-decoration-none text-strikethrough-none white-space-prewrap\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"cvGsUA direction-ltr align-start para-style-body\"\u003e\u003cspan class=\"a_GcMg font-feature-liga-off font-feature-clig-off font-feature-calt-off text-decoration-none text-strikethrough-none\"\u003eUpon purchase, you will receive a PDF in your inbox containing a link to download the video via dropbox. \u003c\/span\u003e\u003c\/p\u003e","brand":"John Britt Pottery","offers":[{"title":"Default Title","offer_id":52711272022315,"sku":null,"price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0985\/5418\/3979\/files\/ScreenShot2026-03-10at4.58.06PM.png?v=1773176906"},{"product_id":"fundamentals-throwing","title":"Fundamentals of Wheel Throwing","description":"\u003cp\u003eIf you have always wanted to learn how to throw, you’ve come to the right place. “Fundamentals of Wheel Throwing” is an instructional DVD for the beginning potter or the potter who needs specific techniques to improve their basic skills.\u003c\/p\u003e\n\u003cp\u003eJohn Britt shows you the basics you need to start throwing, and short cuts perfected by over 30 years of teaching that will rapidly improve your skills. Rather than learning someone else’s style and copying their pots, you’ll have the skills you need to need to develop your own unique shapes. This video is all you need to experience the magic of throwing.\u003c\/p\u003e\n\u003cp\u003eJohn starts this DVD with an introduction to the basic tools you will need, the type of wheel, how to position yourself to throw a pot. He then moves on the preparing the clay.\u003c\/p\u003e\n\u003cp\u003eBeing able to center and throw a pot requires that the clay be properly prepared. To do this you need to wedge the clay which is a lot like kneading bread. It is very simple and you don’t have to spend years working as an apprentice to know how to wedge. John will show you three ways to wedge easily and successfully.\u003c\/p\u003e\n\u003cp\u003eThen he shows you how attach the clay to the bat and several simple ways to center. If you follow his instruction you will be able to center on the first try!\u003c\/p\u003e\n\u003cp\u003eHe then moves on to coning clay and gives a simple explanation of how to do it and why it is a good practice that can save you a lot of time as you progress on your throwing journey. If you follow his simple instructions and take some time to practice the techniques it will take years off your learning curve. It is amazing what good instruction can do to help you be successful.\u003c\/p\u003e\n\u003cp\u003eHe then shows how to open a cylinder as well and ways to pull, form and trim the pot. He also has a group of exercises designed to fast track your skills. By concentrated effort on these skills you will learn how to pull taller cylinders, what difference a clay body makes to your throwing, how to move from one pound balls of clay to larger amounts.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThis is must have video for beginning potters or more advanced potters who want to improve their skills in a systematic way.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"cvGsUA direction-ltr align-start para-style-body\"\u003e\u003cspan class=\"a_GcMg font-feature-liga-off font-feature-clig-off font-feature-calt-off text-decoration-none text-strikethrough-none\"\u003eRunning time:\u003c\/span\u003e\u003cspan class=\"a_GcMg font-feature-liga-off font-feature-clig-off font-feature-calt-off text-decoration-none text-strikethrough-none white-space-prewrap\"\u003e \u003c\/span\u003e\u003cspan class=\"a_GcMg font-feature-liga-off font-feature-clig-off font-feature-calt-off text-decoration-none text-strikethrough-none\"\u003e2 hours and 14 minute\u003c\/span\u003e\u003cspan class=\"a_GcMg font-feature-liga-off font-feature-clig-off font-feature-calt-off text-decoration-none text-strikethrough-none white-space-prewrap\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"cvGsUA direction-ltr align-start para-style-body\"\u003e\u003cspan class=\"a_GcMg font-feature-liga-off font-feature-clig-off font-feature-calt-off text-decoration-none text-strikethrough-none\"\u003eUpon purchase, you will receive a PDF in your inbox containing a link to download the video via dropbox. \u003c\/span\u003e\u003c\/p\u003e","brand":"John Britt Pottery","offers":[{"title":"Default Title","offer_id":52715555914027,"sku":null,"price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0985\/5418\/3979\/files\/ScreenShot2026-03-10at5.59.26PM.png?v=1773180315"},{"product_id":"fundamentals-of-glazing-the-basics","title":"Fundamentals of Glazing: The Basics","description":"\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"section\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cspan\u003eThis is the fourth video in a series I am developing to help potters learn at their own pace and develop their own style. The series includes 1. The Fundamentals of Wheel-Throwing, 2. Beyond the Basics: Tumblers, Cups and Yunomis and 3. Kurinuki. All pair well with this video. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFundamentals of Glazing: The Basics teaches you everything you need to know to get started and be successful glazing your work. It covers bisque firing, cleaning bisque, the importance of consistent absorption and basic application methods of pouring, dipping, brushing and waxing. I include exercises which will help you determine if the one– or two-day method of glazing is best for your work. These simple techniques will give you initial success necessary to put you on the road to mastering glazing! \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRunning time: 1 hour and 34 minutes \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp class=\"cvGsUA direction-ltr align-start para-style-body\"\u003e\u003cspan class=\"a_GcMg font-feature-liga-off font-feature-clig-off font-feature-calt-off text-decoration-none text-strikethrough-none\"\u003eUpon purchase, you will receive a PDF in your inbox containing a link to download the video via dropbox. \u003c\/span\u003e\u003c\/p\u003e","brand":"John Britt Pottery","offers":[{"title":"Default Title","offer_id":52715587273003,"sku":null,"price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0985\/5418\/3979\/files\/ScreenShot2026-03-10at5.48.52PM.png?v=1773180499"},{"product_id":"quest-for-the-illusive-leaf-bowl","title":"The Quest for the Illusive Leaf Bowl","description":"\u003cdiv title=\"Page 1\" class=\"page\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cstrong\u003eAnd Other Selected Articles \u003cbr\u003eBy John Britt\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThis is a collection of both previously published articles on a wide range of ceramic topics and two new articles, including replicating the famous Leaf Bowl. These articles were published in various ceramic magazines over the past 13 years, like Ceramics Monthly, Studio Potter, Ceramics Technical and Ceramics Review. If you were not a subscriber you may not have seen these articles and I thought that they were worth a read.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eArticles include: \u003cbr\u003e-The Quest for the Illusive Leaf Bowl \u003cbr\u003e-Majolica Freckles -Over- The-Counter Glazes \u003cbr\u003e-Oil-Spot Glazes \u003cbr\u003e-Firing with Vegetable Oil \u003cbr\u003e-Your Work, Your Voice \u003cbr\u003e-Mid – Range Reduction \u003cbr\u003e-Illusions of Accuracy\u003cbr\u003e-The Many Layers of Kiln Wash \u003cbr\u003e-Materials and Firing \u003cbr\u003e-All About Iron \u003cbr\u003e-Nature of Ceramics is Disappointment \u003cbr\u003e-TECHNO FILE: Mesh Size \u003cbr\u003e-Snowflake Crackle \u003cbr\u003e-TIPS AND TOOLS: Solid Arch Kiln \u003cbr\u003e-TECHNO FILE: Copper Oxide \u003cbr\u003e-TECHNO FILE: Castable Refractory \u003cbr\u003e-STUDIO VISIT: John Britt \u003cbr\u003e-TECHNO FILE: Chrome Oxide \u003cbr\u003e-Flambé Magic \u003cbr\u003eAnd finally—-You know you’re a Potter if…\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"John Britt Pottery","offers":[{"title":"Default Title","offer_id":52745481814315,"sku":null,"price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0985\/5418\/3979\/files\/Quest_cover.jpg?v=1773413328"},{"product_id":"how-to-stop-pinholes-in-glazes","title":"How to Stop Pinholes in Glazes","description":"\u003cp\u003e\u003cstrong\u003eBy John Britt\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cspan\u003eOne of the most infuriating and persistent problems in ceramics is pinholing. It goes by many other names including, eggshell, orange peel, dimples, pigskin, bubble defect, and larger pin-holes are called blisters or craters. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIf you have been potting for any length of time you have experienced the heartbreak of pinholing glazes. There is nothing worse than opening your kiln and seeing half of it covered in tiny razor sharp pinholes. This is usually followed by extensive online research, as well as reading one of the hundreds of articles or books on glaze faults. Then, after attempting a solution, you open the next firing and it is, again, totally covered in pinholes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e33 pages. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"John Britt Pottery","offers":[{"title":"Default Title","offer_id":53157658296619,"sku":null,"price":5.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0985\/5418\/3979\/files\/pinholes_cover.png?v=1775486765"},{"product_id":"gold-shino","title":"Gold Luster Shino","description":"\u003ch2\u003e\n\u003cbr\u003e\u003cstrong\u003eExperiments in Iron Gold and Iridescent Glazes\u003c\/strong\u003e \u003cbr\u003e\u003cbr\u003eby John Britt\u003c\/h2\u003e\n\u003cp\u003e\u003cbr\u003eShinos have always been one of my favorite glazes. Aside from the beauty, variety and complexity of their fired appearance they also have a wonderful simplicity of structure; as simple as two ingredients, feldspar and clay. And from those two ingredients you can get countless looks depending on application, clay body and firing.\u003c\/p\u003e\n\u003cp\u003eThis 53 page PDF explains how to achieve this wonderful glaze and provides recipes and firing cycles to get you started to successfully achieving one of the most wonderful surfaces in the Shino genre.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"John Britt Pottery","offers":[{"title":"Default Title","offer_id":53157945213227,"sku":null,"price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0985\/5418\/3979\/files\/GoldSHino_COVER.jpg?v=1775496585"}],"url":"https:\/\/johnbrittpottery.com\/collections\/shop-all.oembed","provider":"John Britt Pottery","version":"1.0","type":"link"}